Marta y María (Caravaggio) - Wikipedia, la enciclopedia libre
Martha and Mary Magdalene (c. ) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. It is in the Detroit Institute of Arts. Alternate titles include Martha Reproving Mary, The Conversion of the Magdalene, and the Alzaga Caravaggio.
Caravaggio's Martha and Mary is dated to 1598–99, when he was in the entourage of Cardinal Francesco Maria Del Monte.Little is known of its history between those years and 25 June 1971, when its owners attempted to sell it at Christie's in London (lot 21).
This painting takes as its starting point a passage from the Gospel of Luke in which Christ has been welcomed into the house of sisters Martha and Mary. Marta y María es una pintura realizada por Caravaggio en 1598, que se conserva en Detroit. En este cuadro, Caravaggio sigue los alineamientos requeridos por la Iglesia católica contrarreformista para sus cuadros, al mostrar a los personajes santos sin aureola o aura mística y sólo como gente normal.
File:Caravaggio Martha&Mary.jpg - Wikimedia Commons
Marta y María es una pintura realizada por Caravaggio en , que se conserva en Detroit. En este cuadro, Caravaggio sigue los alineamientos requeridos por la Iglesia católica contrarreformista para sus cuadros, al mostrar a los personajes santos sin aureola o aura mística y sólo como gente normal. Martha and Mary Magdalene (Caravaggio) - Wikiwand
Martha and Mary Magdalene (c. ) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. It is in the Detroit Institute of Arts. Alternate titles include Martha Reproving Mary, The Conversion of the Magdalene and the Alzaga Caravaggio.
Martha and Mary Magdalene (Caravaggio) - Wikipedia
Caravaggio ha considerado la escena casi como la de una joven dama asistida por su criada y sólo el título de la pieza orienta acerca de su significado religioso, pues ningún otro elemento podría hacer pensar que no es una obra profana. Marta y María Magdalena | Se trata de la reconvención que Santa Marta hace a Santa María Magdalena, a la que reprocha su vanidad en las cosas mundanas. La vanidad femenina se pone de manifiesto a través del riquísimo vestido, el cuidado peinado de la dama, la florecilla, el peine de marfil y especialmente, en el espejo, que simboliza la belleza superficial, no duradera.Marta y María Magdalena, c.1598 - Caravaggio - Caravaggio's Martha and Mary is dated to 1598–99, when he was in the entourage of Cardinal Francesco Maria Del Monte. Little is known of its history between those years and 25 June 1971, when its owners attempted to sell it at Christie's in London (lot 21).Category : Martha and Mary Magdalene by Caravaggio - Wikimedia She is often shown as a repentant sinner, sometimes clad in scarlet, sometimes nude, and often located in the wilderness, following the tradition that she became a hermit engaged in prayer and penance in the South of France. This painting by Caravaggio takes Mary Magdalene to be Martha’s sister, but he adopts a different approach to the subject. Marta y María (Caravaggio) - Wikipedia, la enciclopedia libre
Marta y María Magdalena es una pintura realizada por Caravaggio en , se conserva en Detroit. En este cuadro, Caravaggio sigue los lineamientos requeridos por la Iglesia católica para sus cuadros, al mostrar a los personajes sin aura mística y sólo como gente normal. This painting by Caravaggio takes Mary Magdalene to be Martha's sister, but he adopts a different approach to the subject. "Technical Studies Relating to the Attribution of Caravaggio's 'The Conversion of the Magdalen (Alzaga Caravaggio)' in the Detroit Institute of Arts." Bulletin of the American Institute for Conservation of Historic and Artistic Works 14, no. 2 (1974): pp. 15-21 (ill.).
Marta y María Magdalena, c.1598 - Caravaggio -
Mary's rejection of the sensual world for the world of the spirit and her hope of redemption through the forgiveness of sin are made compelling by her representation as an ordinary woman rather than as sanctified. Because she is recognizably human, a remorseful sinner, her experience becomes accessible to other humans. Marta y María Magdalena, en las fiestas y en el evangelio
Martha and Mary Magdalene (c. ) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. It is in the Detroit Institute of Arts. Alternate titles include Martha Reproving Mary, The Conversion of the Magdalene, and the Alzaga Caravaggio.